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・ Friedrich Ulfers
・ Friedrich Ulmer
・ Friedrich van Hulsen
・ Friedrich Vierhapper
・ Friedrich Vieweg
・ Friedrich Pützer
・ Friedrich Raaf
・ Friedrich Radszuweit
・ Friedrich Rainer
・ Friedrich Ramm
・ Friedrich Ranke
・ Friedrich Raschig
・ Friedrich Rathgen
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・ Friedrich Reck-Malleczewen
Friedrich Rehberg
・ Friedrich Reindel
・ Friedrich Reinhold Kreutzwald
・ Friedrich Reinitzer
・ Friedrich Reusch
・ Friedrich Richard Petri
・ Friedrich Richter
・ Friedrich Richter (officer)
・ Friedrich Ris
・ Friedrich Risner
・ Friedrich Rittelmeyer
・ Friedrich Ritter
・ Friedrich Ritter von Friedländer-Malheim
・ Friedrich Ritter von Röth
・ Friedrich Robert Faehlmann


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Friedrich Rehberg : ウィキペディア英語版
Friedrich Rehberg

Friedrich Rehberg (22 October 1758 - 20 August 1835) was a German portrait and historical painter.〔(Friedrich Rehberg ) in Bryan's "Bryan's dictionary of painters and engravers" (New York : Macmillan, 1903) p. 206.〕
==Life and work==
Rehberg was born into a middle-class protestant family in Hanover in 1758, the son of a secretary for the estates of Calenberg (one of the duchies of Hannover). His elder brother, August Wilhelm Rehberg (1757–1836), became a notable politician, philosopher and writer.〔August Wilhelm Rehberg, 25 February 2011.〕 Friedrich, himself, studied first with Oeser in Leipzig, then with Giovanni Battista Casanova and Johann Eleazar Zeissig, in Dresden. In 1777, he went to Rome, where he studied the Old Masters, such as Caracci, Domenichino and Michelangelo, under Anton Raphael Mengs. Here he became a close friend of fellow-painter David.〔〔Andresen and Wessely, 1866, pp. 61-88.〕
In 1783 he returned to Hanover, where his reputation was now well-established, and received many commissions to paint portraits, including those of the Duke Wilhelm and the Bishop of Osnabrück. In 1784 he became drawing master at the Philanthropinum, a progressive school in Dessau where he taught art to the crown prince, Frederick. In 1786, he was made a fellow at the Berlin Academy of Art, becoming professor in 1787. He then returned to Rome to manage the Prussian art academy which was to be built there. For political reasons, this project never materialised but Rehberg remained in the city. There he painted "Belisarius",〔(Belisarius ) (The Jefferson Encyclopedia).〕 "Oedipus and Antigone", "The Death of Abel", "Bacchus", "Orpheus and Eurydice" and "Jupiter and Venus".〔〔
In 1791 he went to Naples and made a series of drawings of Lady Hamilton posing as classical statuary, which were published in book form in 1794.〔The full title of this work was, "''(Drawings faithfully copied from Nature at Naples ) and, with permission, dedicated to the Right Honorable Sir William Hamilton, his Brittanic Majesty's Envoy Extraordinary and plenipotentiary at the court of Naples''" (1794).〕 In 1813 he went to London, and, in 1814, painted an allegory of Napoleon's fall. In the same year he returned for a time to Rome, but eventually settled at Munich, where he published, in 1824, "''Raffael Sanzio von Urbino": the Elements of Lithographic Drawing''" ("Anfangs gründe des Steinzeichners'), with thirteen of his own lithographs.〔
Rehberg died in Munich on the 20 August 1835.〔

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